In this series of large-scale works, Bassmi Ibrahim escapes the confines of conventional applications of paint by abandoning the bravado of the brush to reveal purity of color and form. Utilizing “pours” of luscious and hypnotic veils of colors layered onto white grounds, Ibrahim creates enigmatic and seductive manipulations that depict more than a current experience - a brief lull. Instead, these paintings document the experience of “intuitive knowing” - connecting with one’s higher consciousness, the “soul self” - leaving behind the physical “self” as in the sublimity of the meditative state.

Born in Cairo in 1941, Bassmi Ibrahim’s aesthetic education began at home with his father, who was devoted to photography. Bassmi went on to study at Ain Shams University, receiving his BA degree in art in 1963. Bassmi attended 4 years of non-credit studies at the College of Fine Art, and while the curriculum focused on making art in older styles, ranging from Classical to Impressionist, Bassmi was deeply attracted to modern painting that eventually became his lifelong preoccupation.

In the mid-1960s, Ibrahim moved to New York, immersing himself in the world of abstract art. One day in Greenwich Village, Bassmi encountered one of his artistic influences, Mark Rothko. Later, while viewing Ibrahim’s work, Rothko encouraged Bassmi in his path as a painter, and Rothko remains a spiritual mentor. Other important influences include the Abstract Expressionist De Kooning and Pollock, and the Color Field painters Paul Jenkins and Helen Frankenthaler. Ibrahim expands these vocabularies by more readily suggesting the manifestation of energy or spirit in the biological world.

Bassmi’s work is in several corporate and private collections and has been widely exhibited in the United States and abroad. His recent solo exhibitions include those at St. Petersburg College, the University of South Florida, Eckerd College, Salt Creek Art Colony, Pensacola Museum of Art, Panama City Art Center and Parkersburg Art Center, West Virginia.





“For art to be great it must seem a spontaneous product of nature, born not willed; and for this to happen genius is necessary, an original power freed from the restraint of inherited rules.”
                                                                                                                          (Immanuel Kant)

The philosophical architecture of Bill Lowe Gallery is built upon a reverence for the alchemical nature of artistic expression. Our vision honors the profoundly spiritual nature of visual language and the role it can play in affecting paradigm shifts at both a personal and societal level.

It is with this recognition that we have assembled a world-class stable of artists who intuitively have their fingers on the pulse of the Universe. Their expression is not an ironic or satirical look at the human condition. Instead, the gallery’s program presents powerful, content-driven works that utilize technical mastery and a visual eloquence to transform the human heart and soul at intimate levels.

For our collectors, the gallery is an oasis of beauty. Of civility. Of contemplation. This is coupled with a dynamism informed by a world view rooted in metaphysics, spirituality, philosophy, psychology and biology. Bill Lowe Gallery is a transformative experience that forever enlightens those who experience it. The gallery facilitates interaction between a broad cross-section of our community with an exotic array of artistic voices and languages to amplify and expand an unfolding cultural conversation.

Bill Lowe Gallery has become an institution in our region. We are widely considered the pre-eminent contemporary art gallery in the Southern United States. Our long presence in Los Angeles has fueled a kinetic dialogue between the East and West coasts. We approach the next decade of our mandate with clarity, commitment and excitement.

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