Born in New York City, the son of a Czech architect and Viennese writer, Gary Komarin is a risk taker and considered a modern master in post painterly abstraction. Komarin’s stalwart images have an epic quality that grips the viewer with the idea that he or she is looking at a contemporary description of something timeless. For painter Gary Komarin, abstraction has never been a formal dead end. Rather, it has allowed him to challenge the limitations of the style to make painting ‘include more’ precisely because a recognizable image excludes too much. Komarin has exhibited extensively throughout the United States, the United Kingdom, Europe and Asia. He recently returned from a solo museum exhibition at the Musee Kiyoharu in Japan. The exhibition and catalog, Moon Flows like a Willow, was orchestrated by the Yoshi Foundation in Tokyo and Paris. Mr. Komarin was also invited to show his work at the privately owned Musee Mougins in the South of France where he exhibited Vessel pieces from Twenty Four Vessels at Kit Mandor.
In 1996, Komarin’s work was included in a pivotal exhibition at 41 Greene Street where his work was shown with the paintings of Jean-Michel Basquiat, Philip Guston and Bill Traylor. Gary Komarin was invited to show in a catalog exhibition with Robert Motherwell and Sir Anthony Caro in Dublin in 2009. One of the paintings in this exhibition was recently acquired by Museo d’Arte Contemporanea di Roma. And in 2016, Komarin was invited to show with Joan Mitchell and Manuel Neri in Denver. In 2016, a 60 Minutes Producer, Harry Moses, shot, produced and directed a short documentary film on Gary Komarin titled, The Painter’s Path (below). This follows Komarin’s invitation to participate in a film titled, The Chalkboard Chronicles, narrated by Spalding Grey. He was also included in a recent documentary on American master Clyfford Still, which was aired at the New Clyfford Still Museum in Denver, where Komarin’s work was also acquired for their permanent collection.
About Bill Lowe Gallery
For three decades, Bill Lowe Gallery has served as a portal to global visual culture for art enthusiasts around the world. Our unique juxtaposition of style and substance is articulated in exhibitions that embrace universal and eternal considerations with great visual drama. This has earned the gallery recognition as a sanctuary for the cross-cultural intersection of beauty and meaning.
The gallery's philosophical architecture is built upon a reverence for the alchemical nature of artistic expression. Our vision honors the profoundly spiritual nature of visual language and the role it can play in affecting paradigm shifts at both a personal and societal level.
It is with this mandate that we have assembled a world-class stable of artists who intuitively have their fingers on the pulse of the Universe. Their expression is not an ironic or satirical look at the human condition. Instead, the gallery’s program presents powerful, content-driven works that utilize technical mastery and a visual eloquence to transform the human heart and soul at intimate levels.
For our collectors, the gallery is an oasis of beauty. Of civility. Of contemplation. This is coupled with a dynamism informed by a world view rooted in the metaphysical aspects of history, anthropology, spirituality, philosophy, psychology, and biology. Bill Lowe Gallery has a transformative impact that forever enlightens those who experience it.
Bill Lowe Gallery has become a cultural institution in the Southern United States. Our commitment is to reflect Atlanta's emergence as the world's new epicenter of art, science, and technology through a kinetic dialogue with artists and audiences across the globe.