Bill Lowe Gallery proudly announces our exclusive representation of the Estate of Herbert Creecy (1939-2003). Heralded as the most significant Abstract Expressionist painter ever to come from the South, Creecy’s work can be found in the permanent collections of the Whitney Museum of American Art (New York), the Corcoran Gallery of Art (Washington, D.C.), the High Museum of Art (Atlanta), the Museum of Contemporary Art of Georgia, as well as in a vast array of blue-chip corporate and private collections. A carefully curated collection of Herbert Creecy’s never-before-seen paintings at Bill Lowe Gallery shines a new light on this historic artist.
Herbert Creecy’s dense and exuberant paintings employ a range of experimental techniques that were ahead of his time. Though widely known for his “squiggles”, the scope of Creecy’s oeuvre demonstrates his immense ingenuity and technical virtuosity. Wildly prolific, his imagery and influences were unbounded by traditional constructs. He often re-purposed and painted over canvases to unearth new compositions, pushing the spatial boundaries of the traditional picture plane. Creecy’s methodology allows his work to maintain its integrity and complexity in almost all orientations. What always remains is a pure painterly expression of an internal landscape.
Widely acknowledged as Atlanta's most renowned painter, Herb Creecy's “Southern-ness” gave him as much pride as lament; he was quoted to have often been disappointed with the limitations of the Atlanta arts scene. Yet, he never migrated nor disassociated from the regionality that was so integral to his identity. Abstract Expressionists like Jasper Johns, Cy Twombly, and Robert Rauschenberg are rarely attributed to the South; their artistic careers were launched out of and driven by New York, their narratives often stripped of their geographical origins. Herbert Creecy maintained impressive artistic influence from his Atlanta base, where his creative mastery earned him a rightful place in the arc of art history.
For almost three decades, Bill Lowe Gallery has served as a portal to global visual culture for art enthusiasts around the world. Our unique juxtaposition of style and substance is articulated in exhibitions that embrace universal and eternal considerations with great visual drama. This has earned the gallery recognition as a sanctuary for the cross-cultural intersection of beauty and meaning.
The gallery's philosophical architecture is built upon a reverence for the alchemical nature of artistic expression. Our vision honors the profoundly spiritual nature of visual language and the role it can play in affecting paradigm shifts at both a personal and societal level.
It is with this mandate that we have assembled a world-class stable of artists who intuitively have their fingers on the pulse of the Universe. Their expression is not an ironic or satirical look at the human condition. Instead, the gallery’s program presents powerful, content-driven works that utilize technical mastery and a visual eloquence to transform the human heart and soul at intimate levels.
For our collectors, the gallery is an oasis of beauty. Of civility. Of contemplation. This is coupled with a dynamism informed by a world view rooted in the metaphysical aspects of history, anthropology, spirituality, philosophy, psychology, and biology. Bill Lowe Gallery has a transformative impact that forever enlightens those who experience it.
Bill Lowe Gallery has become a cultural institution in the Southern United States. Our commitment is to reflect Atlanta's emergence as the world's new epicenter of art, science, and technology through a kinetic dialogue with artists and audiences across the globe.